%% Generated by lilypond-book
%% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm]
\include "lilypond-book-preamble.ly"


% ****************************************************************
% Start cut-&-pastable-section
% ****************************************************************



\paper {
  indent = 0\mm
  line-width = 160\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
}

\layout {
  
}





% ****************************************************************
% ly snippet:
% ****************************************************************
\sourcefilename "/home/gub/NewGub/gub/target/linux-x86/src/lilypond-git.sv.gnu.org--lilypond.git-stable-2.22/input/regression/completion-heads-polyphony.ly"
\sourcefileline 0
\version "2.19.21"
\header {

    texidoc = "Completion heads are broken across bar lines. This was
intended as a debugging tool, but it can be used to ease music entry.
Completion heads are not fooled by polyphony with a different rhythm.
"

}

\layout {
  \context{
    \Voice
    \remove "Note_heads_engraver"
    \consists "Completion_heads_engraver"
  }
}

\context Staff \relative << 
  { c''2. c bes2 } \\
  { c2. a8 g4 f4. g4 f  }
>>



% ****************************************************************
% end ly snippet
% ****************************************************************
