%% Generated by lilypond-book
%% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm]
\include "lilypond-book-preamble.ly"


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\paper {
  indent = 0\mm
  line-width = 160\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
}

\layout {
  
}





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% ly snippet:
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\sourcefilename "snippets/arabic-improvisation.ly"
\sourcefileline 0
%% DO NOT EDIT this file manually; it is automatically
%% generated from LSR http://lsr.di.unimi.it
%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
\version "2.21.2"

\header {
%% Translation of GIT committish: a8a85e19654e46d725563e6deba44083ef137a2c
  texidocja = "
一時的なタクシームや即興部分のために、@c
拍子記号の省略や、@code{\\cadenzaOn} の使用が可能です。@c
小節線が省かれることで臨時記号が一度しか表示されなくなるるため、@c
臨時記号の付加スタイルを調整する必要があるかもしれません。@c
以下は、ヒジャーズの即興に使用される例を示しています。
"
  doctitleja = "アラブ音楽の即興"

%% Translation of GIT committish: 6b35abe942bf1b4e709f215d3657a7cec1f4aa52
  texidocit = "
Per improvvisazioni o @emph{taqasim} a tempo libero, si può omettere l'indicazione
di tempo e usare @code{\\cadenzaOn}.  Può essere necessaria la modifica
dello stile delle alterazioni, perché l'assenza delle stanghette farà
sì che l'alterazione sia contrassegnata una volta sola.  Ecco un esempio
di quello che potrebbe essere l'inizio di un'improvvisazione @emph{hijaz}:

"
  doctitleit = "Improvvisazione araba"

%% Translation of GIT committish: 7a89226d5472a2548ec19228d8bccee1bd2480b4
  texidocfr = "
Lorsque les improvisations ou @emph{taqasim} sont temporairement libres,
la métrique peut ne pas apparaître, auquel cas on utilisera un
@code{\\cadenzaOn}.  Les altérations accidentelles devront alors être
répétées en raison de l'absence de barre de mesure.  Voici comment
pourrait débuter une improvisation de @emph{hijaz}.

"
  doctitlefr = "Improvisation en musique arabe"

%% Translation of GIT committish: 8ffecf6be17c6ec2ff87cf31873121a8cce29b09
  texidoces = "
Para las improvisaciones o @emph{taqasim} que son libres durante unos
momentos, se puede omitir la indicación de compás y se puede usar
@code{\cadenzaOn}.  Podría ser necesario ajustar el estilo de
alteraciones accidentales, porque la ausencia de líneas divisorias
hará que la alteración aparezca una sola vez.  He aquí un ejemplo de
cómo podría ser el comienzo de una improvisación @emph{hijaz}:

"
  doctitlees = "Improvisación de música árabe"

%% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
  texidocde = "
Bei Improvisation oder @emph{taqasim}, die zeitlich frei gespielt
werden, kann die Taktart ausgelassen werden und @code{\cadenzaOn}
kann eingesetzt werden.  Es kann nötig sein, den Versetzungszeichenstil
anzupassen, weil sonst die Versetzungszeichen nur einmal ausgegeben
werden, da keine Taktlinien gesetzt sind.  Hier ein Beispiel, wie
der Beginn einer @emph{hijaz}-Improvisation aussehen könnte:

"

  doctitlede = "Arabische Improvisation"

  lsrtags = "world-music"

  texidoc = "
For improvisations or @emph{taqasim} which are temporarily free, the
time signature can be omitted and @code{\\cadenzaOn} can be
used.  Adjusting the accidental style might be required, since the
absence of bar lines will cause the accidental to be marked only
once.  Here is an example of what could be the start of a @emph{hijaz}
improvisation:

"
  doctitle = "Arabic improvisation"
} % begin verbatim

\include "arabic.ly"

\relative sol' {
  \key re \kurd
  \accidentalStyle forget
  \cadenzaOn
  sol4 sol sol sol fad mib sol1 fad8 mib re4. r8 mib1 fad sol
}



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