%% Generated by lilypond-book
%% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm]
\include "lilypond-book-preamble.ly"


% ****************************************************************
% Start cut-&-pastable-section
% ****************************************************************



\paper {
  indent = 0\mm
  line-width = 160\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
}

\layout {
  
}





% ****************************************************************
% ly snippet:
% ****************************************************************
\sourcefilename "snippets/jazz-combo-template.ly"
\sourcefileline 0
%% DO NOT EDIT this file manually; it is automatically
%% generated from Documentation/snippets/new
%% Make any changes in Documentation/snippets/new/
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
%% Note: this file works from version 2.19.56
\version "2.19.56"

\header {
%% Translation of GIT committish: f11513f36c131dab18338d6a3a729e24a927150d
  texidocja = "
これはジャズ アンサンブルのための非常に高度なテンプレートです。@c
全ての楽器が @code{\\key c \\major} で記述されています。これはコンサート
ピッチでの調を示しており、@code{\\transpose} セクション内では自動的に@c
移調されます。
"
  doctitleja = "ジャズ コンボのテンプレート"

%% Translation of GIT committish: 6b35abe942bf1b4e709f215d3657a7cec1f4aa52
  texidocit = "
Ecco un modello piuttosto complesso, per un gruppo jazz. Si noti che tutti
gli strumenti sono in @code{\\key c \\major}. Si tratta della tonalità
reale; sarà trasposta automaticamente includendo la
musica all'interno di una sezione @code{\\transpose}.

"
  doctitleit = "Modello per combo jazz"

%% Translation of GIT committish: 90f1e587efc2159450530da3eb8fb391d156a1dc
  texidocfr = "
Bien que compliqué de prime abord, voici un canevas tout à fait indiqué
pour les ensembles de jazz.  Vous noterez que tous les instruments sont
notés en ut (@code{\key c \major}), la tonalité de concert.  Les notes
seront automatiquement transposées dès lors qu'elles seront inscrites
dans une section @code{\\transpose}.

"
  doctitlefr = "Symboles de jazz"

%% Translation of GIT committish: 0c00cd98e81b27325bed5891b950fe7f0f0ebe5d
  texidoces = "
Ésta es una plantilla bastante avanzada, para un conjunto de
jazz. Observe que la notación de todos los instrumentos está en
@code{\\key c \\major} (Do mayor). Esto se refiere al tono de
concierto; la armadura se transporta automáticamente si la música está
dentro de una sección @code{\\transpose}.

"
  doctitlees = "Plantilla para combo de jazz"

%% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
  texidocde = "
Hier ist ein ziemlich kompliziertes Beispiel für ein Jazz-Ensemble. Achtung:
Alle Instrumente sind in @code{\key c \major} (C-Dur) notiert. Das bezieht sich
auf die klingende Musik: LilyPond transponiert die Tonart automatisch, wenn
sich die Noten innerhalb eines @code{\transpose}-Abschnitts befinden.

"

  doctitlede = "Vorlage für Jazz-Combo"

  lsrtags = "fretted-strings, keyboards, percussion, real-music, template"

  texidoc = "
This is quite an advanced template, for a jazz ensemble. Note that all
instruments are notated in @code{\\key c \\major}. This refers to the
key in concert pitch; the key will be automatically transposed if the
music is within a @code{\\transpose} section.

"
  doctitle = "Jazz combo template"
} % begin verbatim


\header {
  title = "Song"
  subtitle = "(tune)"
  composer = "Me"
  meter = "moderato"
  piece = "Swing"
  tagline = \markup {
    \column {
      "LilyPond example file by Amelie Zapf,"
      "Berlin 07/07/2003"
    }
  }
}
% To make the example display in the documentation
\paper {
  paper-width = 130
}
%#(set-global-staff-size 16)
\include "english.ly"

%%%%%%%%%%%% Some macros %%%%%%%%%%%%%%%%%%%

sl = {
  \override NoteHead.style = #'slash
  \hide Stem
}
nsl = {
  \revert NoteHead.style
  \undo \hide Stem
}
crOn = \override NoteHead.style = #'cross
crOff = \revert NoteHead.style

%% insert chord name style stuff here.

jazzChords = { }

%%%%%%%%%%%% Keys'n'thangs %%%%%%%%%%%%%%%%%

global = { \time 4/4 }

Key = { \key c \major }

% ############ Horns ############

% ------ Trumpet ------
trpt = \transpose c d \relative c'' {
  \Key
  c1 | c | c |
}
trpHarmony = \transpose c' d {
  \jazzChords
}
trumpet = {
  \global
  \clef treble
  <<
    \trpt
  >>
}

% ------ Alto Saxophone ------
alto = \transpose c a \relative c' {
  \Key
  c1 | c | c |
}
altoHarmony = \transpose c' a {
  \jazzChords
}
altoSax = {
  \global
  \clef treble
  <<
    \alto
  >>
}

% ------ Baritone Saxophone ------
bari = \transpose c a' \relative c {
  \Key
  c1
  c1
  \sl
  d4^"Solo" d d d
  \nsl
}
bariHarmony = \transpose c' a \chordmode {
  \jazzChords s1 s d2:maj e:m7
}
bariSax = {
  \global
  \clef treble
  <<
    \bari
  >>
}

% ------ Trombone ------
tbone = \relative c {
  \Key
  c1 | c | c
}
tboneHarmony = \chordmode {
  \jazzChords
}
trombone = {
  \global
  \clef bass
  <<
    \tbone
  >>
}

% ############ Rhythm Section #############

% ------ Guitar ------
gtr = \relative c'' {
  \Key
  c1
  \sl
  b4 b b b
  \nsl
  c1
}
gtrHarmony = \chordmode {
  \jazzChords
  s1 c2:min7+ d2:maj9
}
guitar = {
  \global
  \clef treble
  <<
    \gtr
  >>
}

%% ------ Piano ------
rhUpper = \relative c'' {
  \voiceOne
  \Key
  c1 | c | c
}
rhLower = \relative c' {
  \voiceTwo
  \Key
  e1 | e | e
}

lhUpper = \relative c' {
  \voiceOne
  \Key
  g1 | g | g
}
lhLower = \relative c {
  \voiceTwo
  \Key
  c1 | c | c
}

PianoRH = {
  \clef treble
  \global
  <<
    \new Voice = "one" \rhUpper
    \new Voice = "two" \rhLower
  >>
}
PianoLH = {
  \clef bass
  \global
  <<
    \new Voice = "one" \lhUpper
    \new Voice = "two" \lhLower
  >>
}

piano = {
  <<
    \new Staff = "upper" \PianoRH
    \new Staff = "lower" \PianoLH
  >>
}

% ------ Bass Guitar ------
Bass = \relative c {
  \Key
  c1 | c | c
}
bass = {
  \global
  \clef bass
  <<
    \Bass
  >>
}

% ------ Drums ------
up = \drummode {
  \voiceOne
  hh4 <hh sn> hh <hh sn>
  hh4 <hh sn> hh <hh sn>
  hh4 <hh sn> hh <hh sn>
}
down = \drummode {
  \voiceTwo
  bd4 s bd s
  bd4 s bd s
  bd4 s bd s
}

drumContents = {
  \global
  <<
    \new DrumVoice \up
    \new DrumVoice \down
  >>
}

%%%%%%%%% It All Goes Together Here %%%%%%%%%%%%%%%%%%%%%%

\score {
  <<
    \new StaffGroup = "horns" <<
      \new Staff = "trumpet" \with { instrumentName = "Trumpet" }
      \trumpet
      \new Staff = "altosax" \with { instrumentName = "Alto Sax" }
      \altoSax
      \new ChordNames = "barichords" \with { instrumentName = "Trumpet" }
      \bariHarmony
      \new Staff = "barisax" \with { instrumentName = "Bari Sax" }
      \bariSax
      \new Staff = "trombone" \with { instrumentName = "Trombone" }
      \trombone
    >>

    \new StaffGroup = "rhythm" <<
      \new ChordNames = "chords" \gtrHarmony
      \new Staff = "guitar" \with { instrumentName = "Guitar" }
      \guitar
      \new PianoStaff = "piano" \with {
        instrumentName = "Piano"
        midiInstrument = "acoustic grand"
      }
      \piano
      \new Staff = "bass" \with { instrumentName = "Bass" }
      \bass
      \new DrumStaff \with { instrumentName = "Drums" }
      \drumContents
    >>
  >>
  \layout {
    \context { \Staff \RemoveEmptyStaves }
    \context {
      \Score
      \override BarNumber.padding = #3
      \override RehearsalMark.padding = #2
      skipBars = ##t
    }
  }
  \midi { }
}



% ****************************************************************
% end ly snippet
% ****************************************************************
